[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.27.7″ custom_margin=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb0px||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb custom_margin=\u00a0\u00bb||0px||false|false\u00a0\u00bb custom_padding=\u00a0\u00bb||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.4″ custom_padding=\u00a0\u00bb30px||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.7″ header_2_font_size=\u00a0\u00bb28px\u00a0\u00bb background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
1993-1997<\/p>\n
Technique : Empreinte et moulage sur papier baryt\u00e9<\/p>\n
\u00ab\u00a0Le visage humain est vraiment comme celui du Dieu d’une th\u00e9ogonie orientale, toute une grappe de visages juxtapos\u00e9s dans des plans diff\u00e9rents et qu’on ne voit pas \u00e0 la fois\u00a0\u00bb\u00a0 Marcel Proust<\/strong><\/em><\/p>\n Je questionne le caract\u00e8re multiple et insaisissable du visage humain. J\u2019ai d\u00e9velopp\u00e9 un proc\u00e9d\u00e9 original sans bo\u00eetier photographique : pendant plus de deux ans, j\u2019ai pr\u00e9lev\u00e9 plus d\u2019une centaine d\u2019empreintes de mon visage, puis de mon corps, en sculptant directement du papier argentique photosensible sur la peau.<\/p>\n [\/et_pb_text][et_pb_post_nav in_same_term=\u00a0\u00bbon\u00a0\u00bb prev_text=\u00a0\u00bbSuivant\u00a0\u00bb next_text=\u00a0\u00bbPr\u00e9c\u00e9dent\u00a0\u00bb disabled_on=\u00a0\u00bboff|off|off\u00a0\u00bb admin_label=\u00a0\u00bbNavigation dans les posts\u00a0\u00bb module_class=\u00a0\u00bbnavprojets\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_text_color=\u00a0\u00bb#000000″ module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb0px|0px|0px|0px|false|false\u00a0\u00bb custom_padding=\u00a0\u00bb|0px||0px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_post_nav][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][el_masonry_gallery image_ids=\u00a0\u00bb4959,4957,4958,4973,4972,4971,4968,4967,4966,4965,4964,4963,4962,4961,4960,4974,4977,4976,4975,4970,4969,4978,4956″ number_of_columns=\u00a0\u00bb2″ image_size=\u00a0\u00bblarge\u00a0\u00bb enable_lightbox=\u00a0\u00bbon\u00a0\u00bb number_of_columns_tablet=\u00a0\u00bb1″ number_of_columns_phone=\u00a0\u00bb1″ number_of_columns_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.7″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/el_masonry_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Empreintes lumineuses 1993-1997 Technique : Empreinte et moulage sur papier baryt\u00e9 \u00ab\u00a0Le visage humain est vraiment comme celui du Dieu d’une th\u00e9ogonie orientale, toute une grappe de visages juxtapos\u00e9s dans des plans diff\u00e9rents et qu’on ne voit pas \u00e0 la fois\u00a0\u00bb\u00a0 Marcel Proust Je questionne le caract\u00e8re multiple et insaisissable du visage humain. J\u2019ai d\u00e9velopp\u00e9 […]<\/p>\n","protected":false},"author":1,"featured_media":4959,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" Op\u00e9ra de Guillaume Connesson<\/strong><\/p> Mise en sc\u00e8ne Florent Siaud<\/p> Sc\u00e9nographie et costumes Philippe Miesch<\/p> Th\u00e9\u00e2tre de Compi\u00e8gne, Th\u00e9\u00e2tre de l\u2019Ath\u00e9n\u00e9e 2020<\/p>","_et_gb_content_width":"","inline_featured_image":false,"footnotes":""},"project_category":[19,40],"project_tag":[],"class_list":["post-2071","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-geographies-humaines-portraits-et-territoires","project_category-empreintes-lumineuses"],"_links":{"self":[{"href":"https:\/\/absolument-fab.com\/melody\/wp-json\/wp\/v2\/project\/2071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/absolument-fab.com\/melody\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/absolument-fab.com\/melody\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/absolument-fab.com\/melody\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/absolument-fab.com\/melody\/wp-json\/wp\/v2\/comments?post=2071"}],"version-history":[{"count":38,"href":"https:\/\/absolument-fab.com\/melody\/wp-json\/wp\/v2\/project\/2071\/revisions"}],"predecessor-version":[{"id":7682,"href":"https:\/\/absolument-fab.com\/melody\/wp-json\/wp\/v2\/project\/2071\/revisions\/7682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/absolument-fab.com\/melody\/wp-json\/wp\/v2\/media\/4959"}],"wp:attachment":[{"href":"https:\/\/absolument-fab.com\/melody\/wp-json\/wp\/v2\/media?parent=2071"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/absolument-fab.com\/melody\/wp-json\/wp\/v2\/project_category?post=2071"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/absolument-fab.com\/melody\/wp-json\/wp\/v2\/project_tag?post=2071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}